<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Mizna</provider_name><provider_url>https://mizna.org</provider_url><author_name>Mizna Intern</author_name><author_url>https://mizna.org/author/intern/</author_url><title>Beyond Ruins: Exploring Architectural Nostalgia in Syrian Diasporic Art and the Resilience of Utopian Imaginings - Mizna</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="oGMO8fTM01"&gt;&lt;a href="https://mizna.org/mizna-online/beyond-ruins/"&gt;Beyond Ruins: Exploring Architectural Nostalgia in Syrian Diasporic Art and the Resilience of Utopian Imaginings&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://mizna.org/mizna-online/beyond-ruins/embed/#?secret=oGMO8fTM01" width="600" height="338" title="&#x201C;Beyond Ruins: Exploring Architectural Nostalgia in Syrian Diasporic Art and the Resilience of Utopian Imaginings&#x201D; &#x2014; Mizna" data-secret="oGMO8fTM01" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/* &lt;![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]&gt; */
&lt;/script&gt;
</html><thumbnail_url>https://mizna.org/wp-content/uploads/2025/08/Screenshot-2025-08-05-at-12.29.46-PM-1024x717.png</thumbnail_url><thumbnail_width>1024</thumbnail_width><thumbnail_height>717</thumbnail_height><description>But the immense neglect and physical destruction of these places along the societal fabric puts doubt in whether the new free Syria, with its new and varied diasporic community, can reclaim a healthy and thriving society with a collectivist living philosophy. It is a challenge that requires utopian imagings as well as forms of expression and commemoration of the sacrifices and displacement faced by the people.</description></oembed>
